...it builds an amiable relationship with its audience that promotes repeat viewing.
Tools:
Recommend review to a friend »
"You never grow old. You never die. But you must feed."
Some things just get better with age. Take yours truly, for instance. OK, bad example. Take "The Lost Boys" from 1987, for instance. The first time I saw it, I thought it was cute but silly, a little too diffuse and unfocused to be very effective as either a horror movie or a comedy. Yet time has aged it well. Each time I've revisited the film, I've enjoyed it more, this latest time on high-definition Blu-ray finding it laugh-out-loud funny.
Apparently, the folks at Warner Bros. also noticed the film's rise in popularity over the years because they released the movie initially on a single disc in 1998, again in 2004 as a Two-Disc Special Edition, and now on Blu-ray. With further improved audiovisual elements and a multitude of bonus features, it makes a tempting prospect.
"The Lost Boys" touches on the relationship between sex and violence, something literature and films have often explored. Tarantino played with the idea in "Pulp Fiction"; Hitchcock practically made a reputation on it; Kubrick parodied it through innuendo in "Dr. Strangelove" and then dealt with it more openly in "A Clockwork Orange," and so on. And as far as vampire tales go, well, they're at the head of the list for sex and violence. You don't think vampires are sexy? When I was teaching high school, I had a lobby poster for "The Lost Boys" hanging in my classroom for over fifteen years, and every year without fail at least two or three female students would ask if they could have it or buy it. One year a girl actually stole it, and it took some strong persuasion to get it back. "They're sooo fine; I just love that movie" was the usual comment I got from young women.
"Sleep all day. Party all night. Never grow old. Never die. It's fun to be a vampire," to quote from the film's promo. "The Lost Boys" combines a mild dose of sexuality, a medium dash of violence, and a major splash of humor for a basic horror romp. The result is a fairly amusing film that suffers only slightly from the lack of focus I mentioned earlier.
The story begins with a single mother, played by Dianne Wiest, and her two teenage sons, played by Jason Patric and Corey Haim, moving in with their grandpa, an old codger played by Barnard Hughes, in the hills above a small town on the West Coast. Santa Cruz, California, with its extensive beach and boardwalk stand in for the fictional town of Santa Carla. No sooner do the family arrive than the older son gets involved with a beautiful young woman, played by Jami Gertz, who just happens to belong to a band of young vampires led by Kiefer Sutherland. The younger Sutherland, Donald's son, had been in several previous films, but it was "The Lost Boys" that made him famous. Who says playing a villain doesn't pay off? In fact, this is one of those films where the villains and the supporting players are far more interesting than the hero.
With a nod to J.M. Barrie and "Peter Pan," these vampiric Lost Boys are living out every child's fantasy, but they would probably rather be normal kids than hanging upside down from the ceiling of a derelict, underground hotel. Add to this mix a bizarre pair of kids, the Frog brothers, Edgar and Alan--fearless vampire killers played by Corey Feldman and Jamison Newlander--and you get more silliness than is probably necessary. But there are some nice twists along the way, a good character part played by Edward Herrman, and enough danger and excitement to satisfy most moviegoers.
It isn't easy to combine comedy with horror. Just ask Eddie Murphy, whose "Haunted Mansion" hit the bottom of the charts in no time flat. The most successful of the breed, however, have emphasized the comedy aspect--things like "Ghostbusters," "Men in Black," and "The Ghost Breakers." But "The Lost Boys" has the distinction of blending comedy and horror in almost equal portions. Not that the movie is very scary, mind you, but the atmospheric sets, Eighties' music, costumes, lighting, and photography do wonders to establish its creepy, comedic mood.
Incidentally, the film relies on character, setting, and tone rather than on elaborate special effects to create its spooky atmosphere. Its thrills are more of the old-fashioned human variety than computer generated. For those of you getting a little tired of animated monsters, the change of pace may be a relief. And even though the film received an R rating in 1987, director Joel Schumacher delivers action that is pretty mild by the standards of more-recent and similarly inspired R-rated films. There is no nudity, profanity, or excessive gore in "The Lost Boys."
Say, do you suppose the Frog brothers grew up to be the Gecko brothers in "From Dusk Till Dawn"? Just asking.
Average user rating (1-5):
Not yet rated.
Not yet rated.
[release]23961[/release]